I'm a pretty huge fan of remixes, mash-ups, and other alternative takes of popular music. Take a death metal hit and put it to slow jazz music, and I'm all over that.
So when I first discovered the Best of Bootie Albums you have to know I was all over that.
So here I'm going to count down my eleven favorite songs from the past nine years of "best of" compilations.
These might not be the best, but they're my favorites. Starting with...
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Showing posts with label DJ Earworm. Show all posts
Showing posts with label DJ Earworm. Show all posts
Tuesday, July 8, 2014
Wednesday, May 21, 2014
Top Eleven: Songs I Forgot About For My Top Twenty List
The problem with attempting to list the best (or just personal favorites) of anything is that there's people who know better than you and can connect you to other things they know you like. Such was the case with my father, who called me out on forgetting a song I loved since I was young.
So, now in hindsight, I present the Top Eleven Songs I Forgot To Put On My Top Twenty List even though I know that math doesn't work.
So, now in hindsight, I present the Top Eleven Songs I Forgot To Put On My Top Twenty List even though I know that math doesn't work.
Labels:
Alex Lloyd,
Animaniacs,
Barenaked Ladies,
California Raisins,
DJ Earworm,
Marvin Gaye,
Murray Head,
Music,
New Radicals,
Paul Simon,
Phil Collins,
They Might Be Giants,
Top Eleven,
Weird Al Yankovic
Friday, September 27, 2013
A Thought About Remixes And Mash-Ups
I'm a pretty big fan of song mash-ups. In fact, I plan on some near-future articles for the "Best of Booty" series that spotlights the best songs of the year as well as highlighting my personal favorite mash-up artist DJ Earworm.
There is one thing, though, that bothers me whenever I listen to the music long enough, and I don't know if it's intentional or if I'm reading too much into it.
Namely, is the mere act of creating a mash-up a commentary on how stagnant the music industry is becoming?
There is one thing, though, that bothers me whenever I listen to the music long enough, and I don't know if it's intentional or if I'm reading too much into it.
Namely, is the mere act of creating a mash-up a commentary on how stagnant the music industry is becoming?
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